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|-9-10p9---------------------------------------------------------| |--------12--10h12-10p9----10p9----------9-----------------------| |-----------------------11------11-10h11---10--------10-----11p10| |--------------------------------------------11h13------11-------| |------------9---------------------------------------------9-----| |----------------------------------9-----------------------------| |--------------------9p8-9p8--9h10-9-----------------------------| |----9--10p9-10--12-------------------12--10h12-10p9-----10p9----| |-11--------------------------------------------------11-------11| |----------------------------------------------------------------| |-------9------------8--------------------9----------------------| |----------------------------------------------------------------| |-----------------------------------------------| |------9---------------------7----------------2-| |-9h11---9--------9------8h9---8-----6h8------4-| |-----------11h13----11----------10-------10--3-| |---------------------------------------------4-| |-9----------------------8----------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash