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|---------------------------------0----------------| |--------------1-------3--1--0h1---------6--5--4h5-| |--4--2--1h2---2-----------------------------------| |--------------------------------------------------| |--------------0--0h3-------------0h3--------------| |----------------------0-----------------0---------| |--7--5--4h5--7--5--4h5-------8-| |----------------------------5--| |---------------------------5---| |-------------------------------| |-------------0-----------------| |--0----------------------------| |--0--7----8~--7--5--4-------5--0-----1--------------------------| |---------------------------5--------3---3----1----0p1p0----1----| |--------------------------5--------2---------------------2-----2| |--------0------------------------0--------------2---------------| |------------------------0-------------------------------------0-| |-------------------------------------------0--------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash