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|-12--12--12-----0----0----0---12---0---0-| |-12--12--12-----12---12---12------12--12-| |-----------------------------------------| |-----------------------------------------| |-----------------------------------------| |-----------------------------------------| |--0---0----0--12--12--12-----0----0----0--12--12--12-| |-12--12---12--12--12--12----12---12---12--12--12--12-| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |--0---0---0------0-----0-----0-| |-12--12--12-----12----12----12-| |-------------------------------| |-------------------------------| |-------------------------------| |-------------------------------| |--0-----0----0--0----0-----0----0--0-| |-10----10---10-10/--17----17---17-17-| |-------------------------------------| |-------------------------------------| |-------------------------------------| |-------------------------------------| |--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0-| |-20-17-17-17-17-17-17-17-20-17-17-20-17-17-17-20-17-| |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash