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|----------------------------------------------------------------| |8-------10-12-10--8----------8-------10-12-10--8--12-12-12-12-12| |9--x-x------------9--12--12--9--x-x------------9--12-12-12-12-12| |9--x-x--7--9--7---9--9---9---9--x-x--7--9--7---9----------------| |7--x-x------------7----------7--x-x------------7----------------| |------------------0--10--10--------------------0--10-10-10-10-10| |---------------------------------------------12-12-12-12-12-----| |-8-------10-12-----8-8-8-8-------10-12-8--5--12-12-12-12-12-----| |-9--x-x--------9---9-9-9-9--x-x-----------4--12-12-12-12-12-----| |-9--x-x--7--9------9-9-9-9--x-x--7--9--5--5---------------------| |----x-x--------7------------x-x-----------4--12-12-12-12-12-----| |-8-----------------8-7-8-9--------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash