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|-7-7-7-10-10-10-12-12-12-7-7-7-12-12-12-15-15-14-15-14-15-14-15-| |----------------------------------------------------------------| |-4-4-4-7--7--7--9--9--9--4-4-4-9--9--9--12-12-11-12-11-12-11-12-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------------------------------12--------------------------15-17| |-------12----12-15-12-15-15b17----15-12----12-------15--17------| |-12-14----14----------------------------14----14/16-------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-17b19r17p15-----------| |-------------17-15-12/-| |-----------------------| |-----------------------| |-----------------------| |-----------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash