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|---------------------7-------------------------------------------| |-----7h8p7---7h8p7-------------8-10-10b12-10-8-8h10-10-8-10-8-10-| |-8h9-------9-------9---9-9-4/9----------------9------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-14h15-12h14-10h12-8h10--7-7h8p7----7------| |---------------------------------10-----8~-| |--------------------------------------9----| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |-------11-14-12-11-------------------------------------| |----12-------------13-12----------------------12h13p12-| |-11----------------------14-11h12p11----11-------------| |-------------------------------------14----13----------| |-------------------------------------------------------| |-------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash