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|-<12>---------------------------------------------------------| |-<12>----------------2h3-2h3--2h3-2-------------8-------------| |-<12>--------2h4-2h4--------------------4--6--7---------------| |---------2h4------------------------2-4-----------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------9---10---12----------12--9---------9--------------------| |--10--10--12------12----12-------10---10----------------------| |--11-----------------12-------------9-------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-10--------10---7-------7--5---3--2---------------------------| |-12-----10--------8---8----7---5--3-3--3--3-------------------| |-----12-------------9------7--------4--2--0---------2---------| |---------------------------------------------4--0h4---4-0-----| |--------------------------------------------------------------| |--------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash