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ex 6 |-------------------------------------------| |10----10---10---------10----10---10--------| |9b11--9b11-9b11r9-7~--9b11--9b11-9b11r9p7--| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |-------9-12-12b14-----------------------| |----10------------10-12-12b14r12p10~----| |--11--------------------------------11~-| |----------------------------------------| |----------------------------------------| |----------------------------------------| |10-10--------------13p10-------------------14------------------| |10-10--------------12p10-------------17b19---17p14-17p14----14-| |------12p10h11------------12p10h11-----------------------16----| |---------------12----------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-------------------------------------------------------| |16p14-16p14----14--------------------------------------| |------------16---16p14-16p14----14---------------------| |-----------------------------16---16p14-16p14-12b14r12-| |-------------------------------------------------------| |-------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash