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|----------------------------------------------------------------| |--10---8----6--9/10-10-10--9/10-10-10---------------------------| |--10---9----7--9/10-10-10--9/10-10-10---------------------------| |--12---10---8---------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--6---8---10---9/10-10-10--9/10-10-10---------------------------| |--7---9---10---9/10-10-10--9/10-10-10---------------------------| |--8---10--12----------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------------------------------3----------8---------------------| |--10---8----6--9/10-10-10--6---4---6--8---6---------------------| |--10---9----7--9/10-10-10--6---5---7--9---7---------------------| |--12---10---8--------------8---6---8--10--8---------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash