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|--10-10-x-10-x-8--8--8---12-12-x-12-x-10-10-10------------------| |--10-10-x-10-x-8--8--8---13-13-x-13-x-10-10-10------------------| |--10-10-x-10-x-9--9--9---12-12-x-12-x-11-11-11------------------| |---------------10-10-10---------------12-12-12------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--10-10-x-10-x-8--8--8---12-12-x-12-x-14-14-14------------------| |--10-10-x-10-x-8--8--8---13-13-x-13-x-15-15-15------------------| |--10-10-x-10-x-9--9--9---12-12-x-12-x-14-14-14------------------| |---------------10-10-10-----------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--10-10-x-10-x-8--8--8---12-12-x-12-x-10-10-10---------5--------| |--10-10-x-10-x-8--8--8---13-13-x-13-x-10-10-10---5--6--5--------| |--10-10-x-10-x-9--9--9---12-12-x-12-x-11-11-11---5--7--5--------| |---------------10-10-10---------------12-12-12---7--7--5--------| |-------------------------------------------------------5--------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash