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|--------------------------------------------------------| |--5-----------------------------------------------------| |--7b-5b---5b----------------5-5------------5b-----------| |--------7-------------5h7-5-----7-5h7-5h7-----7---------| |--------------3-2-0-------------------------------3-2-0-| |--------------------------------------------------------| |-------------------------------------| |--5----------5-----------------------| |--7b-7p5-7p5-7b-7-5-7-5-7-5----------| |----------------------------7--------| |-------------------------------3-2-0-| |-------------------------------------| |---------------------------------------| |---------------------------------------| |-5-5-5-5-----------5-5-5-5-5-----------| |---------7-5-7-5-7-----------7-5-7-5-7-| |---------------------------------------| |---------------------------------------| |-----------------------------| |-----------------------------| |---------5-5-5-5-5-----------| |-----5h7-----------7-5-7-5-7-| |-5h7-------------------------| |-----------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash