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|--------------------------------------------------------------| |--3----3-----------3---3-----------0---0---0h3-----3----------| |-----2---2---2-------2---2---2-------0-----------0------------| |--0--------0---------------0-------------------0--------------| |-------------------2------------------------------------------| |-----------------------------------3-----3--------------------| ------------0-------------------------------------------------| |--0h2---2--------2--------------------------------------------| |------2---2----2---2------------------------------------------| |--------------------------------------------------------------| |--0-----------------------------------------------------------| |--------------------------------------------------------------| |-----------------------------------0--------0-----------------| |------0------0h3-----3--0h2----2-------2----3-----------------| |----0---0----------0---------2---2---2---2--2-----------------| |-----------------0--------------------------0-----------------| |------------------------0-------------------------------------| |--3--------3--------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash