Premium Content

|-16b18-b18r16--16b18--13--------13----------------------------| |-------------------------13-----------------------------------| |----------------------------b15-----15b16r15--b13-------------| |---------------------------------------------------15---------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-------13-------13-------13-------13-------13-------13--------| |-16b17----16b17----16b17----16b17----16b17----16b17-----------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-----13-------------------------------------------------------| |-b15----b15-15-13----15b17--15--15b17-15----------------------| |------------------15------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash