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|--------------------------------------------------------------| |--------4--------------9---------------9----------------------| |------5---5----------9---9----------10---10-------------------| |----5-------5------8-------8-----10---------10----------------| |--------------------------------------------------------------| |--4-------------/8-------------9------------------------------| |--------------------------------------------------------------| |---------7-------------6---------------6----------------------| |-------8---8---------6---6-----------6---6--------------------| |-----7-------7-----6-------6-------6-------6------------------| |--/8----------------------------/6----------------------------| |-----------------6--------------------------------------------| |-----------------------6h8-6----------------------------------| |--------4--------------6-----6--------------------------------| |------5---5----------6----------------------------------------| |----5-------5------6------------------------------------------| |----------------/6--------------------------------------------| |--4-----------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash