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|------------------------------6--x--6--4------------------------| |--11--x-11--9--x--9-----------6--x--6--4------------------------| |--10--x-10--8--x--8-----------6--x--6--5------------------------| |--11--x-11-10--x-10-----6--7--8--x--8--6------------------------| |---9--x--9--8--x--8--8------------------------------------------| |----------------------------------------------------------------| |-------------6-6-6-6-6-6-6--------------------------------------| |-2-2-2-2-2---7-7-7-7-7-7-7--------------------------------------| |-3-3-3-3-3---6-6-6-6-6-6-6--------------------------------------| |-4-4-4-4-4---6-6-6-6-6-6-6--------------------------------------| |----------------------------------------------------------------| |-4-4-4-4-4------------------------------------------------------| |-----9--------6--------------------------9--------6-------------| |-11----11--9-----9--7--9--7--6--7--9-11----11--9-----9--8-------| |-10--------6--------6--------6-------10--------6--------6-------| |-11--------6--------8--------6-------11--------6--------8-------| |--9--------8--------6--------8--------9--------8--------6-------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash