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|-13-13-------------------13--15--13--15b--13--13----------| |-------13-13h15--15--15----------------------------15--13-| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-------------------------------------------------------------| |--15--13--15--13---11b13--11b13---11b13--11b13--11b13--11b13-| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |----------------------------------------------------------------| |-11b13r11---------11b13--11b13--11b13-11b13--11-10--11p10-------| |-----------10~----------------------------------------------10~-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-----------------------| |-----------------------| |-----------------------| |--8h10--8----8h10------| |--------------------8--| |-----------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash