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|-4--------2-------9-6--2-4--------2-------9-6--2-| |-4-4------2-7h9p7------2-4-4------2-7h9p7------2-| |-4---4----3------------3-4---4----3------------3-| |-6-----6--4------------4-6-----6--4------------4-| |-6--------4------------4-6--------4------------4-| |-4--------2------------2-4--------2------------2-| |-4--------2-------9-6--0--2--4--------2-------9-6--2-| |-4-4------2-7h9p7------0--2--4-4------2-7h9p7------2-| |-4---4----3------------1--3--4---4----3------------3-| |-6-----6--4------------2--4--6-----6--4------------4-| |-6--------4------------2--4--6--------4------------4-| |-4--------2------------0--2--4--------2------------2-| |-4--------2-------9-6--0--2-| |-4-4------2-7h9p7------0--2-| |-4---4----3------------1--3-| |-6-----6--4------------2--4-| |-6--------4------------2--4-| |-4--------2------------0--2-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash