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|-----------------------------------------------2-0h2p0----------| |-----3---------3---------3---------3---------3---------3--------| |-------0---------0---------4---------4-----2--------------------| |---2-----2---2-----2---4-----4---4-----4-0----------------------| |---------------------2---------2--------------------------------| |-0---------0----------------------------------------------------| |---------------------------------|-2-|-2-|-0-|------------------| |-----2-----------3---------3-----|-3-|-3-|-2-|------------------| |-------2-----------0---------0---|-4-|-2-|-2-|------------------| |---2-----------2-----2---2-----2-|-4-|-0-|-2-|------------------| |-0-------------------------------|-2-|---|-0-|------------------| |---------3-2-0---------0---------|---|---|---|------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash