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|---------------------------------------------------------------| |---7-7h8-7---8~---7--8-7--------7-7h8-7---7--------------------| |-9---------9-------------9~---9---------9----7-7-7-9-7-7---7-7-| |---------------------------------------------------------9-----| |---------------------------------------------------------------| |---------------------------------------------------------------| |--------------3-5-7-5-3--7--5-5--3--7--5-3-3~-| |-8-7--8p7~----5-7-8-7-5--8--7-7--5--8--7-5-5~-| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |-8-8-8--10--8---8p7--------------8--8--7-7--5-5----------| |-8-8-8---8--8---8----8-8--------10-10--8-8--7-7--8-8p7-7-| |---------------------7-7--7-7--------------------9-9p7-7-| |--------------------------9-9----------------------------| |---------------------------------------------------------| |---------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash