Premium Content

|---------------------------------------------------0---------0-| |--------5----------5-------------------------------1--1--1h3---| |--------5--7--5h7--5--7/---------------------------0--0--0-----| |-5h7------------------------12--10h12p10-12-10--3--------------| |------0---------------------12--10h12p10-12-10-----------------| |------------------------10-------------------------------------| |----------------------------------------------------| |-1-----3--3------3--3---------5----------5----------| |-0-----5--4h5p4--5--4---------5--7--5h7--5--7-----7-| |----5---------------------------------------------7-| |-----------------------5h7--0------------------5----| |----------------------------------------------------| |---------------0----------0-----------------------| |---------------1--3--1h3-----3-----3--3------3--3-| |-5h7p5-7-5-----0--0--0-------0-----5--4h5p4--5--4-| |-5h7p5-7-5--3-------------------5-----------------| |--------------------------------------------------| |--------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash