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|-----0--2p0---0--0h2----2p0----------3-2-0----0h2---2p0---------| |---3--------3------------------3-----------3------------------2-| |-2-------------------2----------------------------2---------2---| |-----------------0-----------5----5-----------0-----------2-----| |--------------------------------------------------------0-------| |----------------------------------------------------------------| |----------------------------3-2-0---0h2------------| |-3p2--------3p2--------3----------3----------------| |-----2----------4-----------------------2-2-2h4--2-| |----------4---------5-----5---------0------------2-| |--------2----------------------------------------0-| |---------------------------------------------------| |-----0-2p0---0--0h2-| |---3-------3--------| |-0------------------| |----------------0---| |--------------------| |--------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash