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|--------3------------1-------0---8--7--3----0--------0--13--12-| |------1---1--------1---------1------------3----------1---------| |----1-------1----2---------0-----9--7--4-----------2----14--12-| |-------------------------2-----------------------3-------------| |-----------------------3-----------------------3---------------| |-3-------------3-----------------------------------------------| |-8--5--------0--8--7--3------------| |-------------1-----------6p5p3h5h6-| |-9--5------0----9--7--4------------| |---------2-------------------------| |-------3---------------------------| |-----------------------------------| |--------0--8--7--3----0--------0--13--12--8--5--------0--8-7-3-| |--------1-----------3----------1----------------------1--------| |-----0-----9--7--4-----------2----14--12--9--5------0----9-7-4-| |---2-----------------------3----------------------2------------| |-3-----------------------3----------------------3--------------| |---------------------------------------------------------------| |-10--12--13--13--12-----------8-----------| |----------------------------9-----------1-| |--------------------------7-----------2---| |----------0-------------0-----------3-----| |----------------------8-------------------| |-----------------12--------------3--------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash