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|----------------------------------------------------------------| |----6-6---6-----------------5-5---5/3---1-1---1/5---------------| |------------5---------------------------------------------------| |----------------4-4---4/7---------------------------------------| |--5---5-5-----------------3---3-3-----0---0-0-------------------| |--------------3---3-3-------------------------------------------| |----------------------------------------------------------------| |----6-6---6/10----12-12----12\10---5-5---5/12-------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--5---5-5------10----10-10-------3---3-3------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-----13-13--13h15p13--------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--12----12--12--------------------------------------------------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash