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|--------10-11/14-12-10--14-12-10--------------12-12-------| |--10h12----12/15-14-12--15-14-12--14----14----------14----| |-------------------------------------14----------------14-| |-------------------------------------------14-------------| |----------------------------------------------------------| |----------------------------------------------------------| |-10-----10-----14-14--12--10---7---7----10-10--7-| |-----12----12--15-15--14--12-----8---8--12-12--8-| |-------------------------------------------------| |-------------------------------------------------| |-------------------------------------------------| |-------------------------------------------------| |--14--12-10--14--12-----------12----------10--------10-| |--15--14-12--15--14--14-------14--14------12----12--12-| |------------------------14-----------14------12--------| |---------------------------14--------------------------| |-------------------------------------------------------| |-------------------------------------------------------| |-7------14--12--10-| |-8---8--15--14--12-| |---7---------------| |-------------------| |-------------------| |-------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash