Premium Content

|-----------------------7----7----------------------| |-------------------------10---------------7--------| |-------7~---9b11-9-7~---------9b11--9-7-9---9---7~-| |-7--9-----------------------------------------9----| |---------------------------------------------------| |---------------------------------------------------| |------------------10-12-14--10-12---------b14r12-10----10~-| |-----7----------------------------12-12~------------12-----| |---------7h9p7~--------------------------------------------| |-7h9---9---------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-------------------------------------------------| |----12-10----------------------------------------| |-11-------11--9h11p9----9-11------------------7~-| |---------------------12------12---------7-7h9----| |----------------------------------7-7h9----------| |-------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash