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|----2-----------------0--------3-------2---2h3p2-0-2-| |----0-----------------1--------3------3--------------| |--2---2--------0----0---0----0---0---2---2-----------| |-------------2----------------------0----------------| |-----------2------3----------------------------------| |-2-------0-----------------3-------------------------| |--------0---0--------3--------0---| |--------1---1--------3--------3---| |-----0----0---0----0---0----2---2-| |----------------------------------| |---2----3-------------------------| |-0---------------3--------2-------| |-----0-------0-------3-------0----------3-----3---3---3-| |-----1-------1-------3-------3------0h1------4----4---4-| |---0---0---0---0---0---0---2---2------------2---2---2---| |--------------------------------------------------------| |---------3------------------------0--------3------------| |-0---------------3-------2------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash