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This Is Why
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|----------------------------------------------------------------| |8-------10-12-10--8----------8-------10-12-10--8--12-12-12-12-12| |9--x-x------------9--12--12--9--x-x------------9--12-12-12-12-12| |9--x-x--7--9--7---9--9---9---9--x-x--7--9--7---9----------------| |7--x-x------------7----------7--x-x------------7----------------| |------------------0--10--10--------------------0--10-10-10-10-10| |---------------------------------------------12-12-12-12-12-----| |-8-------10-12-----8-8-8-8-------10-12-8--5--12-12-12-12-12-----| |-9--x-x--------9---9-9-9-9--x-x-----------4--12-12-12-12-12-----| |-9--x-x--7--9------9-9-9-9--x-x--7--9--5--5---------------------| |----x-x--------7------------x-x-----------4--12-12-12-12-12-----| |-8-----------------8-7-8-9--------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after "r")
/\ - slide in or out (from or to "nowhere specific")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tapping
TP - tremolo picking
PM - palm muting
\n/ - tremolo bar dip; n = how much to dip the bar
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend (also connects hammer-ons and pull-offs)
<> - volume swell (louder/softer)
x - in rhythms, indicates a muted strum
o - in rhythms, indicates a single note strum