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|-------------------------------------------------------------| |-------------------------------------------------------------| |--------12--14b16r14--14--12--12h14~-------------------------| |-12h14-------------------------------12/14--12/14------------| |---------------------------------------------------12--12/14-| |-------------------------------------------------------------| |------------------------------------------------| |--------------------------------------15--------| |---------------------------12--14b16------12h14-| |-------------------12--14-----------------------| |--------10--12/14-------------------------------| |-10/12------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------12--14b16r14--12--14----------------------------| |--------12--14-------------------------------------------14-----| |-12h14----------------------------------------10--12/14------14-| |--------------------------------------10--12--------------------| |-----------------7--8--7--5--3-| |-----------------7--8--7--5--3-| |-------------------------------| |-12~---------------------------| |------12h14--12----------------| |-------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash