Premium Content

|-------19----------------------19------------| |-19b21-----b21r19-17-----19b21-----b21r19-17-| |---------------------18----------------------| |---------------------------------------------| |---------------------------------------------| |---------------------------------------------| |-------------------------------------------------| |------------------------------12b14--12-9--------| |-14b16-14-12-14-14b16-12-------------------11-9\-| |--------------------------14---------------------| |-------------------------------------------------| |-------------------------------------------------| |---------------------------------------------------| |-------15-------------------15b17-15-12------------| |-14b16----16r-14-12-14------------------14-12--14/-| |------------------------14/------------------------| |---------------------------------------------------| |---------------------------------------------------| |-------------------------------20b22...----------------| |-19b21--19b21-------20-17-17\--------------17-19b--17\-| |--------------18-16---------------------18-------------| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash