Premium Content

|-----------------------------------------------| |---6-8-----6-8--6h8p6-----------8-10-11-10-8/6-| |-7-------8-------------7-5-3--8----------------| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |---------------------------------------| |---6-8--6/8-8\6-8p6--------------------| |-7------------------7--3-5-7-7-5-3-5/7-| |---------------------------------------| |---------------------------------------| |---------------------------------------| |----------------------------------------------| |---6-8-----6-8--6/8\6-6/8\6--6-8-10-11-10-8-6-| |-7-------8------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |---------------------------------------------------| |----10/11-11-11----10/11-11--11b12-11b12-11b12r11~-| |-/8-------------10---------------------------------| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |--------------------| |---6-8-8---6-8/11p8-| |-7-------8----------| |--------------------| |--------------------| |--------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash