Premium Content

|--5/6--x--6--x--x---6-9----6----6-6---4-----------------------| |--6/7--x--7--x--x---6-6----7----7-7---6-----------------------| |--5/6--x--6--x--x---6-6----8----8-8---6-----------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--5/6--x--6--x--x---6-9----6----6-6---4---5/6-----------------| |--6/7--x--7--x--x---6-6----7----7-7---6---6/7-----------------| |--5/6--x--6--x--x---6-6----8----8-8---6---5/6-----------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash