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|----------------------------------------------------------------| |-8--x--8--x--x--10-10-8--10-8--7--x--7--x--x--7--7--7--9--------| |-9--x--9--x--x--9--9--9--9--9--8--x--8--x--x--8--8--8--8--------| |-10-x--10-x--x--10-10-10-10-10-9--x--9--x--x--9--9--9--9--------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-10-10-9--8--x--8--x--x--10-10-8--10-8--7--x--7--x--x--7--------| |-8--8--8--9--x--9--x--x--9--9--9--9--9--8--x--8--x--x--8--------| |-9--9--9--10-x--10-x--x--10-10-10-10-10-9--x--9--x--x--9--------| |----------------------------------------------------------------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash