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--6---6--6--6--------4--4---4(16)HA---4----------7--7--6--6-- --7------------7--7-----6--------------4------4-------------- --6---------------------6---------------4-------------------- --4--------------------------------------6------------------- ------------------------4-----------------6------------------ -------------------------------------------4----------------- --4--4---4(16)HA--6---6--6--6--------4--4---4(16)HA---4------ -----6------------7------------7--7-----6--------------4----- -----6------------6---------------------6---------------4---- ------------------4--------------------------------------6--- -----4----------------------------------4-----------------6-- -----------------------------------------------------------4- -----7--7--6--6--4------------------------------------------- --4--------------6--6-------------------7-------------------- -----------------6---6------------------8-------------------- ----------------------6-------------4---8-------------------- -----------------4-----4------4--6------6-------------------- ---------------------------6---------------------------------

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash