Premium Content

|----5-5----5-5----5-5-----5-5---------------------------------| |----5-5----5-5----5-5-----5-5------2-2----2-2----2-2----2-2---| |----6-6----6-6----6-6-----6-6------4-4----4-4----4-4----4-4---| |----7-7----7-7----7-7-----7-7------3-3----3-3----3-3----3-3---| |----7-7----7-7----7-7-----7-7----4-4-4--4-4-4--4-4-4--4-4-4---| |--5-5-5--5-5-5--5-5-5---5-5-5---------------------------------| |----2-2----2-2----2-2----2-2----------------------------------| |----2-2----2-2----2-2----2-2-----7-7----7-7----7-7----7-7-----| |----2-2----2-2----2-2----2-2-----7-7----7-7----7-7----7-7-----| |----4-4----4-4----4-4----4-4-----7-7----7-7----7-7----7-7-----| |----4-4----4-4----4-4----4-4---5-5-5--5-5-5--5-5-5--5-5-5-----| |--2-2-2--2-2-2--2-2-2--2-2-2----------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash