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|---------------------------------------------------------------------| |----------------------8b10----------------------8b10-----------------| |--------------------7-------------------------7----------------------| |---3---3---3---3-9--------7~--------------9--------7~--------------| |-1-2-1-2-1-2-1-2--------------10------7~--------------10------7~-| |-0---0---0---0--------------------10-0----------------------10-0-----| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------------------------------------------7-7-7h9~------| |----5-7-7b9-5~---------------5-7/9-7~-7\5---7/9---------------| |-7------------10--------7--------------7-------------------| |-------------------10-0-3--------------------------------12--| |--------------------3-3-x-----|---| |-----8-8-x---8------3-3-x-----|---| |-----7-7-x---7------0-0-x-2-2-|---| |-----6-6-x---6------0-0-x-2-2-|-2-| |-----7-7-x---7----------x-0-0-|-2-| |-0-0-------0----3-3-3---------|-0-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash