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|---0-0-0----0-0-0---3-3-x---3-3--3---1-1-------3-3---1-1-1----| |---1-1-1----4-4-4---2-2-x---2-2--2---3-3-------2-2---3-3-3----| |---0-0-0----1-1-1---2-2-x---2-2--2---2-2-------2-2---2-2-2----| |-----------------------------------0-----0-1/2-----0-------0-1| |-3--------2-------0-------------------------------------------| |----------0---------------------------------------------------| |-----------------------------3-3---2--2--2-2-------1--1-1--1-1| |-----1---1---1---1-----------2-2---1--1--1-1-------0--0-0--0-0| |-----2---2---2---2-----------2-2---2--2--2-2-------0--0-0--0-0| |-2-3---3---4---4-----------------0------0---------------------| |-------------------0-3-2-1-0----------------------------------| |---------------------------------------------0-1-2-3------3---|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash