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|------------------0------0-----0------------------------------| |-----------------------0---0----------------------------------| |--0h1----2---4---------------------4-----2---0h1--------------| |--------------------------------------------------------------| |--2------4---5---------------------5-----4---2----------------| |0----x-0---x---0----x----0---x---0---x-0---x------------------| |---0-----0----0-----------------------------------------------| |-------0---0--------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-0---x---0---x------------------------------------------------| |------------------0----0-----0---------------------0----------| |------0-----3--------0---0-------------------------0----------| |--0h1---2-----4------------------2/4-4/2p0-2p0-----2----------| |-----------------------------------------------2p0-2-----0----| |--2-----4-----5------------------3/5---------------2-0p2------| |0---------0-----0--x---0---x---0---------------------------0--|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash