Premium Content

|--7--7-7---8----10--10-10--10--10---12---10---8----7---5--5-5--5--5-| |--8--8-8---10---12--12-12--12--12---13---12---10---8---7--7-7--7--7-| |-------------------------------------------------------7--7-7--7--7-| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |-7/8---7--6--5--4--3--------------------------------| |-9/10--9--8--7--6--5------1-------------------3-5-3-| |------------------------------2-------0-2-4-0-------| |----------------------0-2---2---0-2-4---------------| |----------------------------------------------------| |----------------------------------------------------| |----------10h12--10--5--4--2--3-| |----------10h12--10--7--6--4--5-| |-5-4-2-0------------------------| |--------------------------------| |--------------------------------| |--------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash