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|----------------------------------------------------------------| |-0--------0-----------0------------------------------0--3--0----| |----0--2-----0--2-----------------------4\2-------2-----------3-| |----------------------------------4--5----------0---------------| |-------------------------2/7--7---------------------------------| |-------2-----------0-------------------------2------------------| |-------------------------------------------------------------| |------------------------------------0-----------0----------0-| |----0-------------0-----2--2-----2-----2--2--2-----0--2------| |-------4/5--4--2---------------------------------------------| |-3-----------------------------------------------------------| |---------------------2--------2--------------2----------0----| |-------------------------------0-------------3--2--3p2p0----| |-1--0--------0-----0--0--3--3--------------1----------------| |-2--0--2--0-----2-----------------0------0------------------| |-------4-------------------------------2--------------------| |----------------------------------3--3----------------------| |----------------2-----------------------------------------0-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash