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|-3--2--3---------------------------------0--hn12--hn7--hn12-| |-3--3--3--------------------------3------0------------------| |-0--2--5--------------------------0--h2--0------------------| |-0--4--5--------------------------0------2------------------| |-2--2--3--3--2--3--4--5/7p5-------0------2------------------| |-3--------------------------7p5~--3--h2--0------------------| |-0--0--3--2--3-------------------------------------0-| |-1--1--3--3--3------------------------------3------0-| |-0--0--0--2--5------------------------------0--h2--2-| |-2--2--0--4--5------------------------------0------2-| |-0--3--2--2--3--3--2--3--4--5--5/7p5--------0------2-| |-------3------------------------------7p5--3--h2--0-| |-hn12--hn7--hn12--0--3--------------| |------------------1--3--------------| |------------------0--5--------------| |------------------2--5--------------| |------------------0--3--3--2--3--5~-| |------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash