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|---------------------------------3-------2-------0--------------| |---------------------------------3-------3-------2--------------| |---------------------------------0-------2-------2--------------| |---------2-------4-----6-7---2---0-------0-------2--------------| |-2-------0-------2-----4-5---0---2---------------0--------------| |-0-----3-------------------------3------------------------------| |---------0-0-0-----3-3-3-3---------2-2-2-----0-0-0-0------------| |---------0-0-0-----3-3-3-3---------3-3-3-----2-2-2-2------------| |---------0-0-0-----0-0-0-0-----2---2-2-2-----2-2-2-2------------| |-----2---------0---------------0---------2----------------------| |-----2---------2-----------0h2-----------0----------------------| |-3-2-0---------3------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash