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|---------9--9----------------------------2-----------------7-| |-10--12--------12--10--10--9----------9-----3-----------7----| |------------------------------11--11-----------2-------------| |--------------------------------------------------4--6-------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-9-----5--7--9/12--12--17--19--2\1--19--17--17--16----------16-| |----5----------------------------------------------19--19-----| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-14----------------------------------------------------------| |-----15-------------10---------12--12--14--12--10------------| |---------14\11--11------11--9----------------------9\6--4----| |-----------------------------------------------------------7-| |-------------------------------------------------------------| |-------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash