Premium Content

|-----------------------------------------------------------| |-----------------------------------------------------------| |-5b6r5-5b6r5b6r5-5/10~-5b6r5-5b6r5-5b6r5-5/13~-5b6r5-5b6r5-| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-------------13b15-----------------------------------------| |-5b6r5-5/17~-------13p10h13p10--t19b2\1r19p13p10h13--t22b24-| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |--17b18-17-16-15----15-------18-17-13----------------| |-----------------18----18b19-------------------------| |--------------------------------------13-13-13-13-17-| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |----------------------| |-15b17r15----15-15/18-| |----------13----------| |----------------------| |----------------------| |----------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash