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|-------------10-----------------| |-13b15-15r13----13-10-----------| |----------------------12b14-r14-| |--------------------------------| |--------------------------------| |--------------------------------| |----------------13-16-16b17--17h22p17----------------------| |-------------15-----------------------18-------------------| |----------14-----------------------------19----------------| |-------15-----------------------------------19-18-19b20r19-| |-15-17-----------------------------------------------------| |-----------------------------------------------------------| |-17h18p17p13-------------| |-------------15----18b20-| |----------------14-------| |-------------------------| |-------------------------| |-------------------------| |-------------------------------| |-17-18-17-13-------15b17-17b18-| |-------------14----------------| |----------------14-------------| |-------------------------------| |-------------------------------| |-17-13----------------------------------13-17-17b18r17-| |-------15-13/10-13-------------------15----------------| |-------------------10b12----------14-------------------| |-------------------------------15----------------------| |-------------------------12h17-------------------------| |-------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash