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|--------------------------------------|-------------------| |--------------------------------------|-7b8r7-------------| |-6b7r6-----7b8r7-----6b7r6--6b7r6-----|--------7b8r7p6----| |--------7---------7----------------7~-|-----------------7-| |--------------------------------------|-------------------| |--------------------------------------|-------------------| |---------------------------------------------------------------| |----7b8r7---------------------------------------7--------------| |-----------7b8--6~-----6b7r6-----7b8r7p6-----------7b8--6~-----| |-7------------------7---------7-----------7~-7--------------7~-| |---------------------------------------------------------------| |---------------------------------------------------------------| |--------------| |-8------------| |-7b9r7--6-----| |-----------7~-| |--------------| |--------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash