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|--------------------------------------------------------------------| |-----------6---6-----5----------------------------------------------| |----------------------------------7---7----5-----------3---3----2---| |--------/7---7----5------------------------------------------------| |-/5-5--------------------------/8---8---7-----3-3--/5---5---3-----| |-------------------------3-3----------------------------------------| |------------------------| |----------6---6-----8---| |------------------------| |-------/7---7---7/8-----| |--5-5-------------------| |------------------------| 2x |------------------------------------------------------| |-----------11-----11------11------------10----10----8-| |------------------------------------------------------| |------/12-----12------11-----------/10----10----8---| |------------------------------------------------------| |--3-3--------------------------8-8--------------------| |--------------------------------------------| |----------8---8----6----------6---6--5------| |----------------------------------------5h7-| |-------/8---8---7---------/7---7-----------| |--8-8-----------------5-5-------------------| |--------------------------------------------| 2x

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash