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|--------------------------------------12------------------------| |------------------------------------------------12--------------| |-----------------7~------9-11--11b13------11b13----13r11p9------| |-----------------6~-9h11------------------------------------11~-| |-----------------7~---------------------------------------------| |-0-3-ha2b3r2~p0-------------------------------------------------| |----------------------------------| |----------------------------------| |----------------9~----------------| |-pm9-pm9--9h11------pm9-pm9--9h11-| |----------------------------------| |----------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-9-9-9-9\8--8-8-8\6--6-6-6\4--4-4-4\2--2-2-2\1--1-------| |---------------------------------------------------2----| |------------------------------------------------------0-| |--------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash