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|-----7--7--5--5--4--4\2--0-----5--5--4--4--2--0--2/4-| |-----------------------------------------------------| |-----8--8--6--6--4--4\2--1-----6--6--4--4--2--1--2/4-| |-----------------------------------------------------| |----------------------------0------------------------| |-0---------------------------------------------------| |--------------------------------0-------------0---------------| |----5--5--4--4--5--4--0-------0----------------------5~-4~-2~-| |----------------------------2-----------1--2-------4----4~-2~-| |----6--6--4--4------------2-----------2----4------------------| |-4-----------2----------0-------------------------------------| |-----------------------------------0-------0-----0------0-----| |-------| |-------| |-----1-| |---2---| |-------| |-0-----|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash