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|13-10----10-----------------------------------------------------| |------13---13-10--13-10----10-----------------------------------| |------------------------12----12-10--12-10----10----------------| |-------------------------------------------12----12-10--12-10---| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------------------------------| |---------------------------------| |---------------------------------| |-----10--------------------------| |-12-----12-10--12-10----10-------| |---------------------13----13-10-| |----------------------------------------------| |----------------------------------------------| |-----------------------------17---17-19-17-19-| |------------17---17-19-17-19----19------------| |17-20-17-20----20-----------------------------| |----------------------------------------------| |------------------17----17--20b22-| |18----18-20-18-20----20-----------| |---19-----------------------------| |----------------------------------| |----------------------------------| |----------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash