Premium Content

|-12-12-12--12-12-12--12-12-12---12-12-| |--------------------------------------| |-12-12-12--12-12-12--12-12-12---12-12-| |--------------------------------------| |--------------------------------------| |--------------------------------------| |---------------------------------------------------| |-9------9----9----9-----9----9----9------9-----9---| |-12b13--b13--b13--b13---12---b13--b13----b13---b13-| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |-----------------------------------1--1---2-2--1-1--2-2---1-| |-4-4--4--4-4--4--2-2-2--2-2--2-----2--2---2-2--2-2--2-2---2-| |-2-2--4--2-2--4--0-0-2--0-0--2-----2--2---2-2--2-2--2-2---2-| |-----------------------------------0--0---0-0--0-0--0-0---0-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash